When the novels of Stephen King are made for the big screen, the reactions are often mixed, even from the author himself. It’s been well publicised that he didn’t like Stanley Kubrick’s terrifying take on horror classic The Shining, so the pressure was always going to be high on whoever would adapt the long-awaited sequel.
Since Paula Hawkins’ thriller novel The Girl on the Train reached the top of the best-selling list last year, the anticipation surrounding the inevitable cinematic adaptation has been rife. The film version is directed by Tate Taylor, and moves the story from London across the Atlantic to a New York setting. Emily Blunt takes the role of Rachel, the titular ‘girl’ on the train who commutes daily past her former marital home where ex-husband Tom (Justin Theroux) lives happily with his new wife Anna (Rebecca Ferguson) and their young daughter. Whilst struggling with an alcohol problem, she begins to take an unhealthy interest in Tom and Anna’s idyllic next door neighbours Megan (Haley Bennett) and Scott (Luke Evans), who appear to have the perfect life from the outside looking in. However, when Megan goes missing, Rachel finds herself embroiled in the investigation.