cinema

Film review: Normal

 Known for his darkly comic thrillers such as Kill List, Down Terrace, and Sightseers, acclaimed filmmaker Ben Wheatley, alongside his wife-cum-co-writer Amy Jump, has achieved cult-like fandom within the British indie scene. In recent years, his attention has shifted to what might be described as director-for-hire work with the likes of his Netflix adaptation of classic novel Rebecca and a bizarre foray into shark action with Meg 2: The Trench. His latest feature is neo-Western drama Normal penned by John Wick franchise creator, Derek Kolstad. The plot follows unassuming sheriff Ulysses (Bob Odenkirk) who is assigned an interim position in the fictional small town of Normal, Minnesota. When a local bank heist goes awry, he uncovers a sinister conspiracy involving the deadly Yakuza crime syndicate.

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cinema

Film review: The Drama

With a celebratory engagement snap as the poster for Kristoffer Borgli’s latest feature, you could be forgiven for thinking that The Drama is a lighthearted rom-com of sorts. However, the Norwegian director’s work tends to lean into absurdist satire and this is no exception. Just days away from their wedding, loved-up couple Emma (Zendaya) and Charlie (Robert Pattinson) are crafting their heartfelt speeches and applying the final touches to their big day. After a few too many glasses of wine at their menu tasting with friends Rachel (Alana Haim) and Mike (Mamadou Athie), their relationship is thrown into disarray when a surprising revelation comes to light.

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cinema

Film review: Ready or Not 2: Here I Come

It’s been seven years since directors Matt Bettinelli-Olpin and Tyler Gillett brought Ready or Not to our screens. Since then, the pair have made a couple of slashers in the Scream series and now the dynamic horror duo is back with a sequel to their 2019 hit. Picking up immediately where the original left off, Ready or Not 2: Here I Come sees doomed bride Grace (Samara Weaving) admitted to hospital after playing a deadly round of hide and seek with her devil-worshipping in-laws. She reunites with estranged sister Faith (Kathryn Newton) but soon realises that her nightmare isn’t over.

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cinema · GFF26

Film review: My Father’s Island

 Based on the autobiographically-inspired novella by David Vann, the latest feature from French writer and director Vladimir de Fontenay is My Father’s Island. Known by the book’s title Sukkwan Island in some countries, the psychological family drama centres around teenager Roy (Woody Norman) who lives with his mother Elizabeth (Tuppence Middleton) after her divorce. Seeking an opportunity to bond, his estranged father Tom (Swann Arlaud) suggests that they spend a year together at a lakeside cabin on a remote island in Norway. The pair’s trip begins as a wholesome soul-searching adventure, but soon becomes an intense fight for survival.

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cinema

Film review: 100 Nights of Hero

Maika Monroe cemented herself as the go-to indie ‘scream queen’ over a decade ago with her breakthrough in It Follows, and has furthered this reputation with more recent turns in Watcher and Longlegs. Whilst her leading role in Julia Jackman’s sophomore feature 100 Nights of Hero is a departure from the traditions of this genre, there’s something to be said about the horrors of female oppression in this folk fantasy fairytale.

 Based on Isabel Greenberg’s graphic novel of the same name, it centres around noblewoman Cherry (Monroe) who is given 101 nights to conceive an heir. As her cowardly husband Jerome (Amir El-Masry) abruptly leaves, her friendship with devoted maid Hero (Emma Corrin) develops and hunky houseguest Manfred (Nicholas Galitzine) arrives at their castle.

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cinema · EIFF25

Film review: On the Sea

A decade has passed since award-winning novelist Helen Walsh turned her attention to filmmaking, and after a foray into television last year, she has returned to writing and directing for the big screen. Her latest piece is erotic drama On the Sea which unravels within a fishing village of the north coast of Wales. Mussel farmer Jack (Barry Ward) is content in his stable yet unfulfilling marriage to Maggie (Liz White) and hopes that their teenage son Tom (Henry Lawfull) will join him and younger brother Dyfan (Celyn Jones) in the family hand raking business. However, as troublesome Scottish deckhand Daniel (Lorne MacFadyen) arrives in the tight-knit community, Jack confronts long suppressed emotions and risks everything he has worked for as an unexpected romance develops.

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cinema · EIFF25

Film review: Crushed

No stranger to plying his trade within the circuit of genre festivals that showcase his low-budget efforts, indie writer and director Simon Rumley has taken his alternative sensibilities to Thailand for his next feature. Set in the leafy suburbs of Bangkok, religious thriller Crushed follows pastor Daniel (Steve Oram) who lives a quiet, comfortable life with his devoted wife May (May Nattaporn Rawddon) and Olivia (Margaux Dietrich), their 10-year-old daughter. However, following the mysterious disappearance of their cat Miss Kitty, Olivia is kidnapped and the family’s faith is tested when their distressing search exposes them to the depths of humanity.

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Berlin25 · cinema

Film review: Köln 75

 On 24th January 1975, American jazz musician Keith Jarrett performed to a sell-out crowd at Köln’s Opera House whilst playing a broken piano. The recording has since become the best-selling solo jazz album of all time, and the gig almost didn’t go ahead. Written and directed by Ido Fluk, period drama Köln 75 tells the amazing true story of how the evening came to be – the ‘scaffolding’ supporting the masterpiece as it is put in the film’s introduction.

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Berlin25 · cinema

Film review: If I Had Legs I’d Kick You

 A gear shift from her mumblecore beginnings, writer and director Mary Bronstein has joined forces with the team behind the Safdie productions for her latest feature If I Had Legs I’d Kick You. An anxiety-horror of sorts, the plot follows psychotherapist Linda (Rose Byrne) whose life takes a turn when her ceiling caves in from a flood in the apartment above. With her husband out of town on a work trip, she and her sick daughter (Delaney Quinn) move into a shabby motel, and things go from bad to worse when her vulnerable patient Caroline (Danielle Macdonald) goes missing.

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Berlin25 · cinema

Film review: Peter Hujar’s Day

 The downtown scene of New York City in the 1970s was rich in culture, innovation and edge, with key figures such as Allen Ginsberg, Fran Lebowitz, and Andy Warhol pioneering an avant-garde community of creatives. Behind many of the iconic images of this time was photographer Peter Hujar, who mostly captured his subjects in a striking black and white. Inspired by a 2021 book of the same name, Peter Hujar’s Day is the latest piece from writer and director Ira Sachs that brings to life a tape recording that was discovered years later in amongst the archives of his work. Set entirely in his Manhattan apartment in December 1974, journalist Linda Rosenkrantz (Rebecca Hall) and Hujar (Ben Whishaw) have an in-depth conversation where he talks her through what he did the previous day.

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