cinema · LFF19

Film review: Fanny Lye Deliver’d

fannylye

British filmmaker Thomas Clay made an impression on the scene back in the noughties with two controversial films that had began to establish him as a rising star to pay attention to. After strangely going off the radar ever since, he’s returned to the director’s chair with period drama Fanny Lye Deliver’d. Set on an isolated Shropshire farm shortly after the English Civil War, the plot centres around the bleak lives of Fanny (Maxine Peake), her abusive husband John (Charles Dance) and their son Arthur. When young couple Thomas (Freddie Fox) and Rebecca (Tanya Reynolds) arrive unannounced to seek shelter in their barn one night, the Lye’s strict puritan lifestyle is challenge by radical new ideas.

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cinema

Film review: Enemy Lines

enemylines

World War II drama Enemy Lines is the English-language debut from Swedish director Anders Banke who learned his filmmaking trade in Moscow. Set against the glacial backdrop of Nazi-occupied Poland in 1943, the plot follows US soldier Major Kaminski (Ed Westwick) as he embarks on a dangerous assignment. Under the command of Colonel Preston (John Hannah), a plan is hatched for a commando squad to infiltrate enemy lines to free rocket scientist Dr. Fabien (Pawel Delag) from the control of the German army.

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cinema

Film review: Ema

ema-larrain

After a foray into English-language cinema with historical drama Jackie a few years ago, acclaimed Chilean director Pablo Larraín returns to his mother-tongue to tell an intimate story set in his hometown. The plot follows dancer Ema (Mariana Di Girólamo) in the aftermath of a tragedy that ended her marriage with choreographer Gastón (Gael García Bernal). When their adopted son Polo started a housefire which had dire consequences for the family, he was subsequently taken away from the couple. Reeling with grief and frustration, we see Ema react in unpredictable, volatile ways.

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cinema

Film review: The Assistant

Documentary filmmaker Kitty Green transitions from fact to fiction for her fourth feature The Assistant. Inspired by the Me Too movement, the drama tells a day in the life tale of Jane (Julia Garner), a fresh-faced assistant to an influential figure in the film industry. Feeling isolated and under pressure in a male-dominated environment, she naively turns to Wilcock (Matthew Macfadyen) in the HR department when she suspects untoward behaviour from the powers that be.

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cinema · GFF20

Film review: Rocks

 With a largely non-professional cast and an improvised script, high school drama Rocks is a daring, some might say risky, third feature from director Sarah Gavron. The London-based plot centres around Shola (Bukky Bakray), a fun-loving teenager whose nickname gives the film its title. On what first appears to be like any other school morning, she wakes up to discover that her mother has absconded, leaving behind only a letter of apology and some cash in an envelope. Fending for herself and her little brother Emmanuel (D’angelou Osei Kissiedu), she is forced to grow up fast and puts on a brave face whilst trying to make ends meet and avoid unwanted attention from the local authorities.

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cinema

Top 10 Netflix Gems You Might Not Have Seen…Volume 3: Coronavirus Special

In this strange and uncertain time of Coronavirus-induced isolation, we search for answers, toilet roll, and new things to watch on Netflix. I am here to help distract you from the sickness fears, hand-picking some of the best hidden gems Netflix (UK version) has to offer. Don’t worry, I washed my hands first.

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cinema · GFF20

Film review: Calm With Horses

 Glanbeigh is a fictional small-town on the west coast of Ireland which serves as the bleak yet breath-taking backdrop for a series of short stories called Young Skins by author Colin Barrett. Crime novella Calm With Horses is the bruising centrepiece of the collection and has been adapted for the screen by newcomer director Nick Rowland and screenwriter Joseph Murtagh. The plot centres around ex-boxer turned muscle Douglas ‘Arm’ Armstrong (Cosmo Jarvis) who does the dirty work of Dympna (Barry Keoghan) for the drug-pedalling Devers family. When he discovers that his ex-girlfriend Ursula (Niamh Algar) is moving to Cork with their young son Jack, he is forced to confront his conflicting loyalties head on.

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