cinema

Film review: Between Two Worlds (Ouistreham)

Emmanuel Carrère is predominantly known as a non-fiction author but has always dabbled in cinema and television, directing his debut The Moustache in 2005 which was based upon his own novel. For his sophomore effort, he adapts autobiographical essay Le Quai de Ouistreham by journalist Florence Aubenas as drama Between Two Worlds.

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cinema

Film review: Everything Everywhere All at Once

The directorial duo known as the Daniels (Dan Kwan & Daniel Scheinert) made their debut with ‘farting corpse movie’ Swiss Army Man in 2016, and have joined forces again for another surrealist comedy, this time with an ambitious sci-fi twist. Everything Everywhere All at Once is a multiverse action film that explores the intimate relationships between Chinese-American laundromat owner Evelyn (Michelle Yeoh), her husband Waymond (Ke Huy Quan), and Joy (Stephanie Hsu), their angsty teenage daughter. During a visit to a bleak, panel-lit IRS office to discuss their struggling family business with steely faced auditor Deirdre (Jamie Lee Curtis), they’re thrust into a mysterious alternate universe that splits their perception of reality, thus kickstarting an adventure where they must save the world from ultimate destruction.

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cinema

Film review: The Northman

Following on from the acclaim of his offbeat efforts The Witch and The Lighthouse, writer and director Robert Eggers returns on an epic scale with a big budget for his third feature The Northman. Based upon the same medieval Scandi legend that inspired Shakespeare to write Hamlet, this historical blockbuster tells the tale of Prince Amleth, played with an animalistic heft by a bulked-up Alexander Skarsgård. When King Aurvandill (Ethan Hawke) is brutally murdered by his brother (Claes Bang), who then proceeds to kidnap Queen Gudrún (Nicole Kidman), it sets up a Viking revenge saga as the protagonist vows to avenge his father, save his mother, and to kill his uncle Fjölnir.

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cinema

Film review: The Lost City

 Perhaps most associated with their indie work within the mumblecore subgenre, the latest collaboration from filmmaking brothers Adam and Aaron Nee takes them into the mainstream. Action-adventure comedy The Lost City stars Sandra Bullock as Loretta Sage, an erotic novelist living a reclusive lifestyle since the untimely death of her archaeologist husband. After stumbling over the finishing line with her latest love story, she is to embark on a press tour with Alan (Channing Tatum), her shallow, muscular cover model known to her loyal readership as Dash. Following a disastrous launch event, Loretta is kidnapped by arrogant rich kid Abigail Fairfax (Daniel Radcliffe), the eccentric son of a billionaire who wants to take advantage of the author’s historic knowledge to track down ancient treasure. 

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cinema · GFF22

Film review: Happening

 Taking us back to 1960s Paris, the latest drama from writer and director Audrey Diwan is based upon Annie Ernaux’s autobiographical novel of the same name. Happening, or L’événement in its native tongue, follows young literature student Anne (Anamaria Vartolomei) as she attempts to bring an abrupt end to her unwanted pregnancy. During this time, abortions were illegal in France so as the weeks go by, she becomes increasingly desperate, willing to risk a prison sentence to give herself the opportunity to live the life that she wants.

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cinema · GFF22

Film review: The Worst Person in the World

This is the third film in what’s being referred to as Joachim Trier’s ‘Oslo Trilogy’, where the acclaimed writer and director shifts his focus to tell a tale from the female perspective. Co-penned with regular screenwriting partner Eskil Vogt, romantic drama The Worst Person in the World spends four years with Julie (Renate Reinsve), a thirtysomething student who finds herself at a crossroads in life. Deciding to embark on a career in photography and a relationship with older man Aksel (Anders Danielsen Lie), the film tracks her path to self-discovery in a millennial coming-of-age story.

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cinema · GFF22

Film review: The Ledge

Suspense is built upon an absurd premise in survival thriller The Ledge, the latest feature from director Howard J. Ford. The plot sees friends Kelly (Brittany Ashworth) and Sophie (Anaïs Parello) embark on a mountainous adventure, endeavouring to scale a notoriously difficult cliff face. On their arrival at the base, they meet a group of four ‘bros’ on their own trip, fronted by Joshua (Ben Lamb), their arrogant ringleader. Before long, the two parties congregate for drinks and debauchery over a bonfire but when events take a very dark turn, Kelly finds herself free climbing the deadly façade to outrun the boys as they desperately try to cover their tracks after an earlier attack.

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cinema

Film review: The Batman

 There have been many caped crusaders on the big screen; even within the last twenty years we’ve had Christopher Nolan’s acclaimed trilogy, Will Arnett’s satirical LEGO version, and Ben Affleck’s dour turn within DC’s shakily constructed extended universe. Despite this cinematic saturation, anticipation has been rife for the latest adaptation, directed by Matt Reeves, best known for his stellar work on the Planet of the Apes reboots. The Batman sees Robert Pattinson don the cowl, playing vigilante as the deeply disturbed Riddler (Paul Dano) begins a killing spree, leaving clues to his crimes that leads to revelations of government cover-ups and corruption in Gotham City.

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