cinema

Film review: Supergirl

 James Gunn crafted a soft reboot of the DC Comics universe last summer with his pulpy Superman picture which featured a brief cameo from the Man of Steel’s chaotic cousin. Now, under the direction of Craig Gillespie, she is taking centre stage. Action adventure Supergirl follows Kara Zor-El (Milly Alcock) as she drifts from one planet to the next, drinking heavily at dive bars and sleeping in what is essentially an intergalactic campervan. One evening she is approached by young orphan Ruthye (Eve Ridley) who asks for her help to take revenge on space pirate Krem (Matthias Schoenaerts) after he and his gang brutally kill her family. Kara is initially hesitant to get involved but when her spaceship is hijacked and her beloved dog Krypto is attacked, she has her own score to settle.

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cinema

Film review: Toy Story 5

 It’s been over three decades since the beloved series first came to our screens, and now cowboy Woody (Tom Hanks) and space ranger Buzz Lightyear (Tim Allen) return in the latest animated adventure, Toy Story 5. Directed by studio stalwart Andrew Stanton and Kenna Harris, it centres around cowgirl Jessie (Joan Cusack) whose place as favourite toy of eight-year-old Bonnie (Scarlett Spears) is threatened when trendy tablet Lilypad (Greta Lee) arrives, intended to help the little girl make friends. Eager to tag along when Bonnie is invited to her first sleepover, Jessie and her trusty steed Bullseye embark on a dangerous mission, reuniting with old friends and meeting new ones along the way.

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cinema

Film review: Blue Heron

After her short film Still Processing received widespread critical acclaim, Canadian writer and director Sophy Romvari has expanded on the same ideas in her feature debut, Blue Heron. Inspired by her own upbringing, the semi-autobiographical drama follows eight-year-old girl Sasha (Eylul Guven) in the late 1990s as she arrives in Vancouver Island from Hungary with her mother (Iringó Réti), father (Ádám Tompa) and three siblings. Her oldest brother Jeremy (Edik Beddoes) experiences severe mental health issues as the family try to settle into their new suburban home, and in the present-day we see an older Sasha (Amy Zimmer) reflect on this formative time as a 30-something filmmaker.

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cinema

Film review: Backrooms

In 2022, a photograph within a 4chan messageboard thread inspired teenager Kane Parsons to publish a web series on YouTube that expanded upon the initial prompt to post “disquieting images that just feel off”. Four years later as his creepypasta videos have gone viral, he has fleshed out the idea by directing a feature-length film.

 Sci-fi psychological horror Backrooms follows furniture salesman Clark (Chiwetel Ejiofor) who is recently divorced and struggling with alcoholism. After discovering a strange portal within the basement of his showroom, he confides in his therapist Mary (Renate Reinsve) who is battling demons of her own. When he goes missing, she enters a mysterious dimension to find him.

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cinema

Film review: Star Wars: The Mandalorian & Grogu

After three series of television, director Jon Favreau brings the adventures of a bounty hunter from a galaxy far, far away to the big screen. Space-western Star Wars: The Mandalorian & Grogu sees Din Djarin (Pedro Pascal) and his little green apprentice working for the New Republic, hunting down criminals linked with the Galactic Empire. Commander Ward (Sigourney Weaver) assigns them a mission to rescue Rotta the Hutt (Jeremy Allen White) from planet Shakari and bring warlord Janu Coin (Jonny Coyne) to justice.

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cinema

Film review: Obsession

It’s been said that horror and comedy are two sides of the same coin so it should come as no surprise that a sketch-show performer might shift into crafting cinematic terror. Similar to Jordan Peele before him, writer and director Curry Barker was one half of a comic duo before his film debut, 2024’s found-footage piece Milk & Serial. His latest feature is Obsession, a supernatural chiller that follows twenty-something ‘Bear’ (Michael Johnston) who has a longstanding crush on his music store colleague Nikki (Inde Navarrette). Eager to cheer her up after she loses a necklace, he buys her a ‘One-Wish Willow’, a novelty trinket that claims to grant one wish once broken. After dropping her off one night and fumbling the opportunity to express his true feelings, he himself snaps the gift in half out of frustration, wishing that she would “love him more than anyone else in the world”. Nikki then experiences a sudden change of heart, and becomes obsessively infatuated with her admirer.

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cinema

Film review: Normal

 Known for his dark thrillers such as Kill List, Down Terrace, and Sightseers, acclaimed filmmaker Ben Wheatley, alongside his wife-cum-co-writer Amy Jump, has achieved cult-like fandom within the British indie scene. In recent years, his attention has shifted to what might be described as director-for-hire work with the likes of his Netflix adaptation of classic novel Rebecca and a bizarre foray into shark action with Meg 2: The Trench. His latest feature is neo-Western drama Normal penned by John Wick franchise creator, Derek Kolstad. The plot follows unassuming sheriff Ulysses (Bob Odenkirk) who is assigned an interim position in the fictional small town of Normal, Minnesota. When a local bank heist goes awry, he uncovers a sinister conspiracy involving the deadly Yakuza crime syndicate.

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cinema

Film review: The Drama

With a celebratory engagement snap as the poster for Kristoffer Borgli’s latest feature, you could be forgiven for thinking that The Drama is a lighthearted rom-com of sorts. However, the Norwegian director’s work tends to lean into absurdist satire and this is no exception. Just days away from their wedding, loved-up couple Emma (Zendaya) and Charlie (Robert Pattinson) are crafting their heartfelt speeches and applying the final touches to their big day. After a few too many glasses of wine at their menu tasting with friends Rachel (Alana Haim) and Mike (Mamadou Athie), their relationship is thrown into disarray when a surprising revelation comes to light.

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cinema · GFF26

Film review: My Father’s Island

 Based on the autobiographically-inspired novella by David Vann, the latest feature from French writer and director Vladimir de Fontenay is My Father’s Island. Known by the book’s title Sukkwan Island in some countries, the psychological family drama centres around teenager Roy (Woody Norman) who lives with his mother Elizabeth (Tuppence Middleton) after her divorce. Seeking an opportunity to bond, his estranged father Tom (Swann Arlaud) suggests that they spend a year together at a lakeside cabin on a remote island in Norway. The pair’s trip begins as a wholesome soul-searching adventure, but soon becomes an intense fight for survival.

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cinema · GFF26 · Interviews

The Fall of Sir Douglas Weatherford Interview: Sean Dunn – ‘Peter Mullan was demanding, but in a good way’.

At what point does entertainment tourism overshadow the real history and legacy of a location? Writer and director Sean Dunn explores this very topical idea through the lens of black comedy in his hotly-anticipated debut feature, The Fall of Sir Douglas Weatherford. Taking place on the outskirts of Edinburgh, the plot sees keen historian and tour guide Kenneth (Peter Mullan) become increasingly frustrated as his local village becomes the setting for a new fantasy television series. Note that I know Dunn personally and was lucky enough to have a conversation with him about the film ahead of its UK premiere at Glasgow Film Festival 2026…

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