cinema · EIFF22 · LFF22

Film review: Aftersun

Writer and director Charlotte Wells gets nostalgic for 90s package holidays in her first feature Aftersun. The drama looks back at a father-daughter trip to a Turkish family resort, as Calum (Paul Mescal) takes his 11-year-old, Sophie (Frankie Corio) for a week away. We see their tale through the shaky lens of a camcorder, or through the sun-soaked memories of an older and wiser Sophie, remembering the happy-go-lucky version of her dad as he hid the severity of his problems behind wit and a charming smile.

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cinema

Film review: Between Two Worlds (Ouistreham)

Emmanuel Carrère is predominantly known as a non-fiction author but has always dabbled in cinema and television, directing his debut The Moustache in 2005 which was based upon his own novel. For his sophomore effort, he adapts autobiographical essay Le Quai de Ouistreham by journalist Florence Aubenas as drama Between Two Worlds.

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cinema

Film review: Everything Everywhere All at Once

The directorial duo known as the Daniels (Dan Kwan & Daniel Scheinert) made their debut with ‘farting corpse movie’ Swiss Army Man in 2016, and have joined forces again for another surrealist comedy, this time with an ambitious sci-fi twist. Everything Everywhere All at Once is a multiverse action film that explores the intimate relationships between Chinese-American laundromat owner Evelyn (Michelle Yeoh), her husband Waymond (Ke Huy Quan), and Joy (Stephanie Hsu), their angsty teenage daughter. During a visit to a bleak, panel-lit IRS office to discuss their struggling family business with steely faced auditor Deirdre (Jamie Lee Curtis), they’re thrust into a mysterious alternate universe that splits their perception of reality, thus kickstarting an adventure where they must save the world from ultimate destruction.

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