cinema · EIFF25

Film review: On the Sea

A decade has passed since award-winning novelist Helen Walsh turned her attention to filmmaking, and after a foray into television last year, she has returned to writing and directing for the big screen. Her latest piece is erotic drama On the Sea which unravels within a fishing village of the north coast of Wales. Mussel farmer Jack (Barry Ward) is content in his stable yet unfulfilling marriage to Maggie (Liz White) and hopes that their teenage son Tom (Henry Lawfull) will join him and younger brother Dyfan (Celyn Jones) in the family hand raking business. However, as troublesome Scottish deckhand Daniel (Lorne MacFadyen) arrives in the tight-knit community, Jack confronts long suppressed emotions and risks everything he has worked for as an unexpected romance develops.

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cinema · EIFF25

Film review: Crushed

No stranger to plying his trade within the circuit of genre festivals that showcase his low-budget efforts, indie writer and director Simon Rumley has taken his alternative sensibilities to Thailand for his next feature. Set in the leafy suburbs of Bangkok, religious thriller Crushed follows pastor Daniel (Steve Oram) who lives a quiet, comfortable life with his devoted wife May (May Nattaporn Rawddon) and Olivia (Margaux Dietrich), their 10-year-old daughter. However, following the mysterious disappearance of their cat Miss Kitty, Olivia is kidnapped and the family’s faith is tested when their distressing search exposes them to the depths of humanity.

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Berlin25 · cinema

Film review: Köln 75

 On 24th January 1975, American jazz musician Keith Jarrett performed to a sell-out crowd at Köln’s Opera House whilst playing a broken piano. The recording has since become the best-selling solo jazz album of all time, and the gig almost didn’t go ahead. Written and directed by Ido Fluk, period drama Köln 75 tells the amazing true story of how the evening came to be – the ‘scaffolding’ supporting the masterpiece as it is put in the film’s introduction.

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Berlin25 · cinema

Film review: If I Had Legs I’d Kick You

 A gear shift from her mumblecore beginnings, writer and director Mary Bronstein has joined forces with the team behind the Safdie productions for her latest feature If I Had Legs I’d Kick You. An anxiety-horror of sorts, the plot follows psychotherapist Linda (Rose Byrne) whose life takes a turn when her ceiling caves in from a flood in the apartment above. With her husband out of town on a work trip, she and her sick daughter (Delaney Quinn) move into a shabby motel, and things go from bad to worse when her vulnerable patient Caroline (Danielle Macdonald) goes missing.

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