DVD & Digital

DVD review: Steve Jobs


In co-founding Apple and giving us the Mac, the iPod and the iPhone amongst other gadgetry, Steve Jobs arguably changed the landscape of modern technology. Following his untimely passing in 2011, it was only a matter of time before his story was immortalised in cinema. The list of talent involved reads like the film equivalent of the perfect iTunes playlist with Danny Boyle in the director’s chair, Aaron Sorkin on writing duties and Michael Fassbender in the eponymous leading role. Loosely based on the biography of the same name by Walter Isaacson, the story unfolds through his conversations with his loyal marketing executive Joanna Hoffman (Kate Winslet), the former Apple CEO John Sculley (Jeff Daniels) and fellow co-founder Steve Wozniak (Seth Rogen), exploring the personality behind the products.

Avoiding the standard biopic structure, the film is split into three acts, from 1984, 1988 and 1998 behind the scenes of key product launches. This clever approach helps encourages creativity in the visuals and offers a platform for Sorkin’s typically sharp script. It’s the norm for the a screenplay to weave through and compliment the vision of the director, but it feels as though the tables are turned for a change and instead Boyle’s artistic flourishes decorate the dialogue, which is fast-flowing and always fascinating. One scene in particular featuring intense verbal ping-pong between Jobs and Sculley is mesmerising in its acute delivery.

Despite not having a physical likeness, Michael Fassbender carries off the role of Steve Jobs very impressively and succeeds in not portraying him as a hero or a villain, and making him appear determined, strong-willed and ruthless to the point of being unlikeable at times. His performance is aided by the stellar support from his co-stars. Winslet does well to handle a scary amount of lines with her character’s thick Polish accent but takes a backseat slightly, with the men in the cast sharing the big moments. Rogen gives the least Rogen-esque turn of his career, showing he can handle weighty material and escape the stoner typecasting but as good as he is, Daniels is even better. Having worked with the writer previously on The Newsroom, he is a natural with the intellectual articulation of Sorkin’s words and is on scintillating form.

Boyle and Sorkin’s collaboration has come under criticism due to the apparent historical inaccuracies in the way the story is told, but in terms of the filmmaking, it is difficult to find faults with it. Stripped back, it is essentially two hours of talking but due to the intelligently constructed subtleties in the direction and score, ‘Steve Jobs’ becomes frantic, dramatic and exciting. It doesn’t always present the man himself in the most favourable of lights, but highlights the significant impact his iconic work has had, not only in the technology industry, but in how we communicate and live our lives across the world.


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