Another year, another lockdown, and so for those of us that aren’t home-schooling, another chunk of spare time on our hands. If you’ve already binged on The Queen’s Gambit, Bridgerton, and any other telly you’ve been told you must see, you might be on the lookout for some film recommendations. I’ve scoured Netflix, Amazon Prime, BBC iPlayer, and All4 to put together another list. Some quite old, some quite new, all absolutely brilliant.Continue reading “Top 10 Lockdown Recommendations You Might Not Have Seen: 2021 Edition”
Due to the countless classic horrors of times gone by, it has been a challenge in cinema to stand out from the crowd when delving into the fright genre. Let’s reflect on ten who avoided the cliché pitfalls and got it right…
10. It Follows
David Robert Mitchell’s indie chiller ‘It Follows’ took a trademark ‘pass it on’ theme of horror films and put a modern twist on it, with a terrifying curse moving from one victim to the next through intercourse. Sexy!
Acclaimed director James Wan created what is arguably the best known horror franchise of the century, the original dating back to 2004. It has spawned a whopping six sequels already with another due out next year. His other works in the field include Insidious and The Conjuring.
8. Paranormal Activity
The Blair Witch Project rejuvenated the found-footage style horror movie in 1999, so is slightly too early for this list but Paranormal Activity is the most notable film of its kind this century. The first, written and directed by Oran Peli, was a low-budget wonder but unfortunately the series has repeated itself ever since.
7. The Guest
Downton Abbey star Dan Stevens made the jump from telly to the silver screen last year in The Guest, directed by Adam Wingard. It implemented horror elements in a synth styled flick about a mysterious ex-soldier.
6. Cabin in the Woods
Scripted by the great Joss Whedon, this self-aware teen-comedy horror poked fun at the slasher stereotypes and had a lot of fun in the process. Chris Hemsworth featured in the leading role ahead of his Thor fame.
5. The Babadook
The Babadook is probably one of the more conventional choices on the list, but is a good example of solid execution. The debut feature for actress turned writer and director Jennifer Kent terrified audiences across the country last year.
4. A Girl Walks Home Alone at Night
The most recent addition to the list is black and white indie ‘A Girl Walks Home Alone at Night’. Set in a ghost town called Bad City and featuring a fantastic 80s soundtrack, this is the best thing to come out of Iran since…well since ever!
3. Shaun of the Dead
The team behind cult sitcom Spaced added their unique comedic twist to three types of film during their blood and ice-cream trilogy, the first and in my opinion the best of which was the zombie-horror Shaun of the Dead.
2. Under the Skin
Scarlett Johansson terrorises the streets of Glasgow in bizarre sci-fi horror Under the Skin, directed by visionary filmmaker Jonathan Glazer. A haunting, pulsing score and a chilling performance makes a strange but frightening cinema experience.
1. Kill List
Neil Maskell takes centre stage as a hitman in Ben Wheatley’s menacing genre-crosser which dramatically switches from brutal gangland thriller into mind-bending horror in the blink of an eye.
And here we are at the end of another year of cinema. The debate rages on whether to include 2014 Oscar runners in the ‘Best of’ lists as really they are 2013 pictures with late UK releases. Alas I will go by the calendar year so here are my favourites! Click the images for my reviews.
2. The Wolf of Wall Street
3. Starred Up
4. Gone Girl
6. 12 Years a Slave
7. In Order of Disappearance
9. Dawn of the Planet of the Apes
10. Under the Skin
Under The Skin is a daring envisioning of Michael Faber’s novel, following an alien seductress that goes by the name of Laura, played by Scarlett Johansson, roaming the grids of Glasgow preying on young men. Directed by Jonathan Glazer, whose wealth of experience in glossy ads and music videos is hugely evident in his striking visuals. It is only his third feature, and his first for about a decade, so it is interesting to see his style bleed through into a full-length film wrapped around a fully developed narrative. The haunting sci-fi thriller takes on themes human existence and is by no means easy viewing, leaving the viewer on edge for its entirety due to a deeply unsettling soundscape.