Directed by: Andy Serkis
Starring: Tom Hardy, Stephen Graham, Woody Harrelson
Release: September 2021
Directed by: Andy Serkis
Starring: Tom Hardy, Stephen Graham, Woody Harrelson
Release: September 2021
Directed by: Josh Trank
Starring: Tom Hardy, Jack Lowden, Linda Cardellini
Release: May 2020
Tom Hardy jumps ship from DC to Marvel to take the eponymous role in Ruben Fleischer’s sci-fi drama Venom, which is set to kickstart Sony’s superhero universe. The plot follows investigative reporter Eddie Brock (Hardy) who attempts to expose the corruption within corporations. He sets his journalistic sights upon scientist Carlton Drake (Riz Ahmed) who is CEO of the Life Foundation research facility. Unfortunately, his daring methods cause a rift in his relationship with fiancée Anne (Michelle Williams) who works as an attorney for the bioengineering conglomerate. Whilst digging deeper into Drake’s controversial experiments, Brock becomes infected by an alien parasite that becomes his deadly alter-ego.
Visionary filmmaker Christopher Nolan has carved a career out of writing and directing imaginative movies, telling mind-bending tales in a way that only he can. His latest feature marks a departure of sorts as he turns his attention to World War II for action-drama Dunkirk, telling the story of the Operation Dynamo evacuation in 1940. As Allied soldiers including Tommy (Fionn Whitehead), Gibson (Aneurin Barnard) and Alex (Harry Styles) are trapped on the beach to await their fate from surrounding Nazi forces, fighter pilots Farrier (Tom Hardy) and Collins (Jack Lowden) provide cover from the skies. Meanwhile, mariner Mr Dawson (Mark Rylance) along with son Peter (Tom Glynn-Carney) and his friend George (Barry Keoghan) embark on a brave civilian rescue mission.
Joseph Stalin-era Soviet Union was cold, callous and colourless at least according to Swedish filmmaker Daniel Espinosa who directs mystery thriller ‘Child 44’, based on Tom Rob Smith’s best-selling novel of the same name. Tom Hardy leads an impressive top-billed cast as disgraced military cop Leo Demidov, who independently heads up an enquiry into a series of vicious child murders that are ignored by a corrupt government. With his wife Raisa (Noomi Rapace) accused of espionage and colleague Vasili (Joel Kinnaman) proving a problem at every turn, he turns to an experienced General Nesterov (Gary Oldman) for assistance in his manhunt, resulting in an intense investigative film enhanced by strong acting and crisp cinematography.
In a year that has pushed the envelope in terms of experimental filmmaking, is there still a demand for simplistic cinema? Or is it in fact more ambitious to do the stripped-back style well, with solid acting and an intelligent script, than convolute your story with gimmicks to stand out from the crowd? Belgian director Michaël R. Roskam brings together an excellent cast for neo-noir drama ‘The Drop’, which harks back to the classic gangster genre movies where nobody can be trusted and danger lurks around every corner. Tom Hardy stars as soft-spoken and unassuming bartender Bob Saginowski who looks after a drinking den alongside his Cousin Marv (James Gandolfini), which is regularly used as a ‘drop’ for the local lowlifes to launder their illegally gotten gains. When a robbery takes place after hours, Bob and Marv find themselves in a precarious predicament, forced to face the wrath of the mob.
Brooklyn’s grimy underworld provides the backdrop for Dennis Lehane’s tightly woven script to unfold. Having previously worked on The Wire as well as collaborating with legendary crime film director Scorsese, his influences are clear as they bleed into the flawed but fascinating characters. Very much character driven rather than narrative driven, the study of the morals and masculinity of the protagonists is always interesting and an appealing subplot plays out naturally about the responsibilities involved in taking on a pit bull pup. While events never really veer too far out of the ordinary story-wise, Roskam puts on a masterclass in tension building, heightening to a satisfying final third.
It is of course terribly sad that this film will mostly be remembered for featuring James Gandolfini’s final screen performance, but it is testament to how phenomenally gifted he was as an actor. Widely known for his long-running portrayal of New Jersey mob boss Tony Soprano, he was an expert in complex multi-faceted drama and playing cowardly Cousin Marv serves as a fitting swansong. Not to be outdone though is Tom Hardy, who matches Gandolfini blow for blow in a battle of acting prowess and again proves himself as one of the best of his generation. He gives a controlled and more subtle turn than we are used to seeing from him, nailing the accent and showing that sometimes less is more.
‘The Drop’ is an effective throwback genre picture, and what it lacks in narrative imagination, it makes up for with the powerful screen presence of the leads. The term ‘actor’s movie’ has never felt more apt. Roskam and screenwriter Lehane present a bleak Brooklyn exterior, an unappealing interpretation of the big apple which hides a black and bloody core of corruption. In this environment, it is equally dangerous whether you’re propping up the bar or serving beers with Bob and Marv from behind it, but where Hardy and Gandolfini are concerned, consider the metaphorical acting bar raised.