In his relatively short but impressive career to date, writer and director Derek Cianfrance has intelligently toyed with narrative conventions, playing with linear structure to get the desired effect from his tales of family, love and loss. He ventures into the period drama genre for his latest feature The Light Between Oceans, adapting M.L. Stedman’s novel of the same name for the screen. Set in Western Australia shortly after World War I, veteran Tom Sherbourne (Michael Fassbender) has posttraumatic stress disorder due to the loss he has experienced. As a coping mechanism he takes up a post as a lighthouse keeper to remove himself from civilisation. When he meets his new boss’s daughter Isabel Graysmark (Alicia Vikander), the pair fall in love and get married. They face a dilemma when a dead man and a newborn baby wash up on the shore in an old rowboat. Desperate to start a family together and in mourning after suffering two miscarriages, the couple make a perilous choice that changes their lives forever.
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