cinema · LFF19

Film review: Jojo Rabbit

 New Zealand filmmaker Taika Waititi has garnered cult status and critical acclaim with his distinctive style of madcap comedy. The controversial premise of his latest feature Jojo Rabbit has caused quite the stir as the Jewish auteur tackles the topic of Nazism. Based on the novel Caging Skies by Christine Leunens, the WWII story sees German boy Johannes (Roman Griffin Davis) enrol in a Hitler Youth training camp run by Captain Klenzendorf (Sam Rockwell) and his team of instructors. Meanwhile, Johannes’s mother Rosie (Scarlett Johansson) is harbouring Jewish girl Elsa (Thomasin McKenzie) in their house, presenting a moral dilemma for the young protagonist which he ponders with Adolf (Taika Waititi), his dictatorial imaginary friend.

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