There have been many caped crusaders on the big screen; even within the last twenty years we’ve had Christopher Nolan’s acclaimed trilogy, Will Arnett’s satirical LEGO version, and Ben Affleck’s dour turn within DC’s shakily constructed extended universe. Despite this cinematic saturation, anticipation has been rife for the latest adaptation, directed by Matt Reeves, best known for his stellar work on the Planet of the Apes reboots. The Batman sees Robert Pattinson don the cowl, playing vigilante as the deeply disturbed Riddler (Paul Dano) begins a killing spree, leaving clues to his crimes that leads to revelations of government cover-ups and corruption in Gotham City.Continue reading “DVD review: The Batman”
Christopher Nolan continues to push the envelope of storytelling through his mind-bending plots and special effects. His latest effort, Tenet, might be his highest concept yet; an action thriller where a CIA agent played by John David Washington, credited only as The Protagonist, tries to save the world from a very peculiar threat. He teams up with Neil (Robert Pattinson) to investigate an organisation operating in the future where technology is being used to make objects move in reverse. This leads them to Russian oligarch Andrei Sator (Kenneth Branagh) and his wife Kat (Elizabeth Debicki), and when they discover the magnitude of the danger, they must manipulate time to overcome the odds.Continue reading “DVD review: Tenet”
Directed by: Matt Reeves
Starring: Robert Pattinson, Colin Farrell, Zoe Kravitz, Paul Dano
Release: October 2021
Directed by: Christopher Nolan
Starring: John David Washington, Robert Pattinson, Elizabeth Debicki
Release: July 2020
In the film industry, when you make it, you generally go to Hollywood, and the famous hills have become synonymous with the silver screen stars. With fame and fortunes comes power which can bring out the very worst in those who absorb themselves in the glamorous entertainment business. Swinging a brutal bat at this world and those who inhabit it with a satirical study is daring director David Cronenberg. With a powerful cast including Julianne Moore, Robert Pattinson and Mia Wasikowska, ‘Maps to the Stars’ is a shocking piece of cinema that sinks its teeth into celeb culture and refuses to let go.
This jagged filmmaking takes the darkness of Bret Easton Ellis’ brat attack Less Than Zero into the 21st century in a way that Coppola’s Bling Ring couldn’t, every scene coated in a thick artificial gloss along with Bruce Wagner’s biting script that rips into the fragility of stardom. Failing actress Havana Segrand (Moore) represents the has-beens of Hollywood as she yearns for the opportunity to play her iconic dead mother on-screen, in a desperate attempt to use her family name to her benefit. A mess of a human being, her crazed lifestyle is disturbing but vital. She hires young Agatha Weiss (Wasikowska) as her personal assistant, a girl who has been quite literally scarred by her showbiz upbringing, with serious burns on her face, neck and arms. The other key player is Agatha’s brother Benjie (Evan Bird), a Bieber-esque rich kid whose moral compass is non-existent due to the material world he has been raised in. These horribly fascinating characters cross paths in an increasingly interesting narrative that joins dots into a warped image of celebrity.
There is very little innocence amongst the tortured souls portrayed, perhaps only Wasikowska’s character showing slight signs of having principles despite her unpredictably dangerous tendencies. She gives a note-perfect performance and every twisted layer of it is impactful. Equally as impressive is Julianne Moore as we’ve never seen her before. She is maniacal, lost in a bubble of Freudian trauma. Slightly underused is Robert Pattinson, who plays a wannabe screenwriter who chauffeurs the wealthy around in a stretch limousine. He is subdued but quietly effective, befriending Agatha and talking passionately about their aspirations. The supporting cast is made up of John Cusack and Olivia Williams who play Agatha and Benjie’s controlling parents, so absorbed in their glamorous careers that they’re more concerned with their tabloid reputations than their children or each other.
This is the first film of Canadian filmmaker’s that has been made in America, and down to the subject matter it couldn’t have really been filmed anywhere else. Cronenberg is a vicious vulture, preying on pop culture with oily streaks of jet-black humour. I imagine that after this deadly assault, it’ll be a while before he thinks about spreading his wings in Hollywood again, if ever. ‘Maps to the Stars’ can be a difficult watch, but it is engrossing and involving, shining the unflattering satirical spotlight directly above the unglamorous, turning the so-called American Dream into a self-obsessed nightmare.
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Since his first feature Animal Kingdom was met with such critical acclaim five years ago, the Australian writer-director David Michôd’s follow up film has been hotly anticipated. He has kept mostly the same team around him and has again cast the experienced Guy Pearce in a central role, but will this equal another great picture? Titled ‘The Rover’, this western is set a decade into the aftermath of a global crisis in a post-apocalyptic outback. Pearce stars as Eric, a man of few words, filled with rage over the losses he has suffered. When his car is stolen by a gang of small-time crooks, he sets out to retrieve it and will stop at nothing until he gets back what is his. In his mission, he encounters an American simpleton called Rey (Robert Pattinson), who happens to be the younger brother of one of the criminals Eric is chasing. Together they pursue in this slow-burn thriller which is so full of style, it leaves little room for substance.