Flying the flag for bands such as Primal Scream, The Jesus & Mary Chain, and Oasis, record label Creation Records was founded by the iconic music exec Alan McGee. His amazing, drug-fuelled tale has been immortalised by director Nick Moran, with a script penned by Dean Cavanagh and Irvine Welsh.
I seized the opportunity to ask screenwriter Cavanagh some questions about the making of this madcap biopic…
Creation Stories is a celebration of not only Alan McGee himself but also of Creation Records and it feels very passionate about that period of time. What do you think was so special about that beloved ‘Britpop’ era both musically and personally for you?
I was in a band during that period and spent a lot of time in London knocking about with people who were classed as ‘britpop’ artists. I knew a lot of the movers and shakers but I wasn’t really a fan of the music. I was more into underground clubbing but the paths often crossed and it was hard to ignore all the success and excess if you know what I mean.
Me and Irvine were both part of the scene but kept managing to avoid each other. My mate Paolo Hewitt was writing a book on Oasis so I got invited to a lot of the shindigs and was privy to it all. I loved Oasis’ first album. It really made a statement and put that indie spirit back in the charts. I knew Britpop was just a lazy media term so never really took it seriously.
Best known for his work in front of the camera, acclaimed Danish actor Ulrich Thomsen has moved behind the scenes to write and direct his second feature Gutterbee (US title: American Sausage Standoff). The offbeat indie plot follows ex-con Mike (Antony Starr) and ex-pat Edward (Ewen Bremner) on their mission to open a German sausage restaurant in small-town America. They encounter conflict from narrow-minded businessman Jimmy (W. Earl Brown) who is very much against the gentrification of what he sees as his land.
I had the chance to chat with Ulrich Thomsen about this very unusual project…
First of all, how did the idea for Gutterbee first come about?
The idea is from quite some time ago when I stumbled upon the history of the sausage. Some years ago, there was a 50th anniversary for these little hotdog stalls that we have on every corner in Copenhagen, and a journalist had been writing about the history of the sausage. What’s interesting about the film is that it’s all based on fact, and all the sausage trivia in it is actually true. I thought would be interesting to tell a story about bigotry, homophobia, and religious stupidity but around the history of the sausage where nothing has changed in 2,000 years. The movie is essentially about identity. Every country has its sausage.
Since a brief yet scene-stealing cameo in last year’s disappointing DC effort, the anticipation around the Wonder Woman stand-alone outing has been rife. This is the first female-led comic-book movie in over a decade, and filmmaker Patty Jenkins is in the hot seat, directing her first feature since 2003. Focussing on the backstory of Amazonian princess Diana (Gal Gadot), we see her upbringing on the island of Themyscira where her aunt General Antiope (Robin Wright) trains her for combat. When British army spy Steve Trevor (Chris Pine) crash lands on the island’s idyllic shores, Diana comes to his rescue and learns of the WWI atrocities unfolding across Europe. Feeling duty-bound to protect innocents in danger, she persuades Steve to take her to the frontline, convinced that she can bring down Ares, the god of war, to protect mankind.
Sequels to much loved movies often come with a degree of pressure, but none more so than T2 Trainspotting which picks up the stories of the iconic heroin addicts two decades after the cult classic original. Both the anticipation and trepidation around the release have been rife as Danny Boyle returns to the director’s chair for the project, which is loosely adapted from Irvine Welsh’s novel Porno. The plot sees Mark Renton (Ewan McGregor) return to Edinburgh after betraying his friends all those years ago. Reuniting with Danny ‘Spud’ Murphy (Ewen Bremner) and Simon ‘Sick Boy’ Williamson (Jonny Lee Miller), he tries to move forward with his life. Meanwhile sociopathic Francis Begbie (Robert Carlyle) is out of prison and when he hears that Mark is back, he is bloodthirsty for revenge.