Features

Top 10 Netflix gems you might not have seen…

In the modern world of streaming, Netflix’s suggestions can make it difficult to track down movies that take you out of your comfort zone, and unfortunately means that a lot of really good films can go relatively unseen. Cinema Perspective counts down gems that might have passed you by…
1. Coherence
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A mind-bendingly good psychological horror from director James Ward Byrkit.
My review…
2. Short Term 12
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Brie Larson has been impressing from supporting roles for some time and is tipped to get the recognition she deserves in Room which comes out in the UK on 15th January 2016. In Short Term 12, she plays a social worker with troubles of her own.
3. In Order of Disappearance

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Starring the great Stellan Skarsgaard, In Order of Disappearance directed by Hans Petter Moland is a dramatic yet hilarious watch that combines genres in a satisfying revenge flick.
My review and my interview with the director…
4. Half Nelson

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Ryan Gosling received an Oscar nomination for his complicated role in Half Nelson, playing the part of a drug addicted school teacher. This makes the list not for being unseen as such but perhaps forgotten.
5. Creep

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Comedy writer, director and actor Mark Duplass takes a horror influenced detour, teaming up with director Patrick Brice for Creep, which more than lives up to its name.
6. Young Adult

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Charlize Theron is excellent in Young Adult, a film which explores what happens to the popular high school ice queen when life doesn’t quite turn out as planned. Jason Reitman directs.
7. Mighty Aphrodite

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Netflix has a great abundance of Woody Allen films, including Mighty Aphrodite in which he stars alongside Mira Sorvino and Helena Bonham Carter and is at his wittiest.
8. All this Mayhem

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As well as films, television and stand-up, Netflix gives a platform to a huge selection of documentaries. All this Mayhem follows the harrowing story of Australian skateboarding brothers Tas and Ben Pappas and is a must-see for anyone who has an interest in extreme sport.
9. uwantme2killhim?

British rising star Jamie Blackley is going from strength to strength, and this is partly down to uwantme2killhim? which featured at Edinburgh Film Festival back in 2013 and is based on a shocking true story.
10. Hyena

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Hyena was met with a mixed critical reception but for fans of gritty British crime films, it is well worth looking out. It tackles police corruption in London’s criminal underworld and stars the brilliant Stephen Graham.
DVD & Digital

DVD review: Ant-Man

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As we’ve all seen over the past few years, the Marvel Cinematic Universe is quickly expanding, bringing in new faces to meet in every new or rebooted instalment across multiple phases of the film and television franchise. Introducing the smallest citizen of the superheroic world with ‘Ant-Man’ is comedy director Peyton Reed. Cat burglar Scott Lang (Rudd) is determined to go straight following his release from prison, and to be a good role model for his young daughter. When things don’t go his way, he reluctantly agrees to ‘one last job’ in an effort to make a fast buck, leading him to the epicentre of an age old rivalry between retired scientist Hank Pym (Michael Douglas) and his former protégé Darren Cross (Corey Stoll). Taking on the responsibility of a shrinking suit developed by Pym, Lang must retrieve a replica of the creation in order to stop Cross running amok with the potentially dangerous technology.
  A slow-build origin opening makes for uneventful, and mostly tedious viewing as characters and back-stories are established, but as the superhero element eventually fights its way to the forefront at around the hour mark, the entertainment value is on the upturn. When Lang dons the suit and is micronized, the inventive special effects are impressive enough to distract from the predictable narrative. Changes in writing and directing duties in the pre-production stages of the project offer some inconsistencies in terms of style and the tone of the script. Edgar Wright flourishes appear both visually with playful camera tricks, and in Rudd’s well timed delivery of dialogue but with four men involved in the crafting of the screenplay, I fear it’s a case of too many writers spoil the script. Rudd holds his own in the lead part and although I struggled to accept him as a criminal mastermind, his likeability shines through what is an average at best cast.
  It ties in nicely to the aforementioned MCU, and successfully gives scope to the possibilities of a wide collection of films that relate and intertwine with one another through in-jokes and cameos. ‘Ant-Man’ is by no means a poor film, and will sit quite happily in amongst the phases of the cinema Marvelogue. Paul Rudd’s performance as well as the admirable aesthetic mastery are the stand out highlights to this particular piece of the jigsaw, and while it may be good clean fun that will quite easily consume two hours of your hard earned weekend, it is little more than that.

3stars

See the trailer:
DVD & Digital

DVD review: Inside Out

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It is a well established staple of Disney pictures to strike just the right emotional chord with audiences, having the ability to make us laugh in one scene and cry in the next. Continuing their hugely successful relationship with Pixar Animation Studios, the next collaboration personifies the emotions themselves to explore the goings on inside the brain of a child. Directed and co-written by Pete Docter, best known for his work on Up, ‘Inside Out’ mostly takes place in the head of an eleven year old girl called Riley whose family up sticks to San Francisco, taking her away from her friends and the home comforts of Minnesota. Dealing with the change from within the conscious mind known as Headquarters are Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling), who work in harmony to keep Riley content. However, when Joy and Sadness are removed from HQ through the memory tube leaving the others to hold the fort, they must find their way back to restore normality.

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DVD & Digital

DVD review: The Legend of Barney Thomson

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An adaptation of the first in the a series of seven books from Scottish novelist Douglas Lindsay, ‘The Legend of Barney Thomson’ is the feature debut of actor turned director Robert Carlyle, and tells the comic tale of a hapless barber, played by Carlyle himself, who escapes the mundanities of his existence by accidentally becoming a serial killer! Before long, cockney copper Detective Inspector Holdall (Ray Winstone) is on his case, and Barney is forced to turn to his chain-smoking, bingo-loving mum Cemolina (Emma Thompson) to get him out of trouble.
Filmed in the director’s home of Glasgow, the city is coated in a sheen which goes against the gritty stories it usually provides a backdrop for and sets it in a more favourable light with comic-book elements suited to the black comedy subject matter. The sick wit is presented in a way that shows influence from his friend and previous collaborator Irvine Welsh and the cinematic adaptations of his novels. Techniques like Barney’s narrative voiceover and the colloquialisms such as “nae patter” in the dialogue serve to extenuate the similarities. Because of this stylistic approach, a Filth meets Sweeney Todd vibe is created, and the obvious comparison to the latter is eluded to in the script. The overarching plot and its structure take a familiar shape pretty quickly when Barney’s accidents spiral out of control, so much so that you can almost find humour in moments before they occur on screen.
Because of its air of predictability where the story-telling is concerned, the film relies on the performances from its experienced cast, and boy has it got one. Carlyle himself is hugely impressive as sappy Barney, managing to create likeability and empathy for the protagonist, given his careless homicidal activity. The scene stealer is Emma Thompson, who is nearly unrecognisable from a physical standpoint. Despite being just two years older than Carlyle, she carries off the role as his eccentric mother with ease, due to clever prosthetics and sheer talent. She is certainly the most memorable from the supporting characters, and brings the biggest laughs with her dry delivery in a finely tuned thick Weegie accent. Winstone is caricature-like but entertaining as a fish-out-of-water Londoner and other small job stand outs include Brian Pettifer and Tom Courtenay.
‘The Legend of Barney Thomson’ takes a simple, yet incredibly funny story, and successfully transforms it for the big screen. Boasting a creative, visual richness and a fun, old fashioned soundtrack, Robert Carlyle shows a lot of promise in moving behind the camera, and in getting strong performances from those in front of it whether he wishes to or not. Given the vast versatility in his acting back catalogue, there is potential in whichever genre he should wish to venture into next. The director’s chair is a comfortable place for Carlyle to sit, but I for one won’t be resting in Barney’s barbershop chair any-time soon!

3.5stars

See the trailer:
DVD & Digital

DVD review: The Overnight

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‘The Overnight’, written and directed by Patrick Brice, and produced by mumblecore duo Mark and Jay Duplass, explores the relationship of a married couple with a young son, settling into their family home in Los Angeles. Stay at home dad Alex (Adam Scott) and his career-driven wife Emily (Taylor Schilling) are happy, if a little unfulfilled due to some post-matrimonial coital issues, and seek new friends and experiences. On an outing at the local swing park, they meet Kurt (Jason Schwartzman), a trendy hipster-type in a hat, who invites them to ‘pizza night’ with his wife Charlotte (Judith Godrèche) and their son. They accept the offer and eagerly attend, armed with friendly faces and a bottle of cheap plonk, but when it gets late and the kids are put to bed, they find that the evening has more in-store for them than they’d bargained for.
Continue reading this review at Fortitude Magazine!
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Features

Top 5 Time Travelling Films

In the second instalment of cult sci-fi adventure film series ‘Back to the Future’, Marty McFly and Doc crashed the future landing at 21st October 2015. On this day, we celebrate the film by taking a journey back through time to pick the best time travelling movies around…
5. Looper

Set in 2044, Joseph Gordon-Levitt stars in ‘Looper’ as a contract killer who shoots victims sent to him from the future so he can can dispose of their bodies in the past. Still following? It’s when his older self played by Bruce Willis arrives to be killed that things get really complicated.
4. Midnight in Paris

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Bored and creatively unfulfilled in the present day, screenwriter and novelist Gil Pender (Owen Wilson) finds himself travelling back to the 1920s using a car in the backstreets of Paris as a portal. At a party in the roaring decade he encounters a host of famous artists and writers including F. Scott Fitzgerald, Ernest Hemingway and Salvador Dali. When he meets Adriana (Marion Cotillard), he has to decide whether he wants to exist in the 21st century. Woody Allen directs.
3. Twelve Monkeys

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Bruce Willis features again on the list, this time starring as James Cole alongside Brad Pitt in Terry Gilliam’s neo-noir sci-fi flick ’12 Monkeys’. Set initially in Philadelphia in 2027, Cole goes back in time to 1990 to gather information on a deadly virus that wipes out nearly all of humanity in 1996.
2. The Terminator

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It’s hard to talk cinema time travel without hitting on James Cameron’s action classic The Terminator, a franchise which is still going today! Arnold Schwarzenegger is in the titular role as a cyborg assassin sent back from 2029 to 1984 to take out Sarah Connor, in order to prevent her son’s actions decades later.
1. Back to the Future II

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Of course, taking top spot is the Robert Zemeckis film that inspired the article. ‘Back to the Future II’ follows the original’s protagonist Marty who, after time-hopping to 2015, has to jump back to 1955 and take the same trip as he did in the first movie without affecting 1985. Easy!
DVD & Digital

DVD review: Jurassic World

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Carrying on the trend of not leaving perfectly good film franchises alone, Spielberg’s 1993 dinosaur epic is next to get the 21st century makeover, only this time it is a sequel rather than a remake. With much anticipation surrounding it, the unenviable but exciting task of directing falls to relatively unknown Colin Trevorrow. This instalment, set a whopping twenty-two years after its predecessor is ‘Jurassic World’, and stars man-of-the-moment Chris Pratt following his success in Guardians of the Galaxy. Brothers Zach (Nick Robinson) and Gray (Ty Simpkins) are packed up and sent away to Jurassic World by their feuding parents to be looked after by their Aunt Claire (Bryce Dallas Howard). This clashes with a busy weekend for the theme park, and when the ‘unthinkable’ happens and a genetically modified hybrid dinosaur branded the Indonimus rex escapes from its enclosure, it is up to velociraptor trainer Owen Grady (Pratt) to save the day. This has the intense action that all good blockbusters should and excellent special effects to boot, but has the inexperienced Trevorrow bitten off more than he can chew?

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DVD & Digital

DVD review: Mad Max: Fury Road

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After a two decade break in the series, madcap Australian director George Miller has revisited the post-apocalyptic world of Mad Max with new instalment ‘Fury Road’. Now with a bigger budget to throw at the project, his vision has the scope to reach new heights, and on this occasion Tom Hardy takes the titular role of Max Rockatansky, following in the footsteps of Mel Gibson. The story of survival takes place on desert wasteland in the aftermath of nuclear war, and ex-police officer Max is captured by a gang known as the War Boys, led by Immortan Joe (Hugh Keays-Byrne), and is used primarily as universal blood donor. When Imperator Furiosa (Charlize Theron) rebels against the regime, driving her tanker truck off-route with five of Joe’s hand-picked wives, a chase ensues to retrieve them, and sick War Boy Nux (Nicholas Hoult) also heads out in hot pursuit of the escapees, taking Max along for the ride as his own personal human blood bag.

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DVD & Digital

DVD review: Danny Collins

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Of late it wouldn’t be unfair to say that acting legend Al Pacino has made some questionable decisions in which films he has involved himself with. Thankfully, 2015 appears to mark a turning point or as close as he’s going to get to a return to form at his age. He’s already taken part in classy ‘An Evening with…’ events in the UK this year, and is now starring in comedy drama ‘Danny Collins’ written and directed by Dan Fogelman. The film is loosely based on the true story of British folk singer Steve Tilston. Pacino takes the eponymous role as you might expect, playing a fed up has-been rocker who dines out on his past successes – mainly his hit record ‘Hey Baby Doll’ which is surprisingly catchy! When his manager Frank discovers an old handwritten letter addressed to Danny from none other than John Lennon, he is forced to reflect on his life decisions. Turning his back on the sex, drugs and rock n’ roll, he chooses to track down his long-lost son and looks for love and redemption along the way.

Continue reading “DVD review: Danny Collins”