Another year, another lockdown, and so for those of us that aren’t home-schooling, another chunk of spare time on our hands. If you’ve already binged on The Queen’s Gambit, Bridgerton, and any other telly you’ve been told you must see, you might be on the lookout for some film recommendations. I’ve scoured Netflix, Amazon Prime, BBC iPlayer, and All4 to put together another list. Some quite old, some quite new, all absolutely brilliant.Continue reading “Top 10 Lockdown Recommendations You Might Not Have Seen: 2021 Edition”
10. A Simple Favour
“A Simple Favor is a film determined to entertain at all costs and that determination is intoxicating. Feig surrounds his neo-noir plot in fun, frothy comedy and together it serves as a playful showcase for the excellent leading ladies at the film’s centre”.
9. Lady Bird
“Lady Bird is a warm and wacky love-letter to adolescence which marks an important directorial debut for Gerwig. The identifiable style and substance from her career-to-date has carried through into her craft behind the lens, and her work carries a lot of emotional baggage along with the whimsical humour”.
“Dumped (Larguées) is brilliantly blithe and full of fun, encapsulating the insouciant essence of a holiday in the sun. Time away from day-to-day trials and tribulations can offer up an opportunity to reflect, and while their trip is initially planned to help Françoise recover from her marital woes, hers isn’t the only emotional baggage that needs to be checked. Lang delivers an entertaining cinematic excursion that you won’t want to come back from”.
“Blindspotting’s core steeliness can, in fact, be glimpsed early on, as Diggs’s man-with-a-van Collin – out beyond his curfew, two days before his probation ends – witnesses a cop shoot a fleeing suspect in the back. Should he report the incident, and potentially put himself back behind bars? Where a declamatory film would have made this quandary the whole show, director Carlos López Estrada pushes on”.
“Smarzowski attacks the corruption of Roman Catholicism from behind the camera lens with powerful propagandic piece Kler, but it’s a directorial damning that’s delivered with deft deliberation and a darkly dry sense of humour”.
“Widows is a riveting and rampant thriller that carries heft in its subject matter, but also captures the intrigue and exhilaration of the heist genre. It’s probably McQueen’s most mainstream work to date but doesn’t lack his signature visionary style. His acute artistic flair is as prominent as ever in a vehement, violent Chicago, adding considerable flesh to the bones of Flynn’s compelling screenplay to form a captivating cinematic caper”.
4. First Reformed
“First Reformed is a thought-provoking, engaging film that will challenge and shock cinema-goers, and Ethan Hawke brilliantly immerses us into Toller’s increasingly disturbed psyche. Tapping into society’s collective anxieties, Schrader delivers a mesmerising movie that is so strange and unsettling, and yet scarily topical in the craziness of the current climate”.
3. You Were Never Really Here
“In Phoenix, Ramsay has a major ally in staking her case for bleak psychological artistry. Weighed down with the horrific ballast of things he has suffered and seen – he’s a Gulf War veteran and former FBI agent, too, with the scars to prove it – Joe comes to life in an almost gruellingly subtle and interiorised performance”.
2. Phantom Thread
“Phantom Thread is a grandiose tale of toxic love that is completely bizarre in its brilliance. With stunning orchestral sounds leading us through the turbulence and the tension of Reynold and Alma’s relationship, Paul Thomas Anderson pulls the strings from afar, masterfully conducting a svelte swansong for leading man Daniel Day-Lewis”.
1. Molly’s Game
“Molly’s Game is a modern-day Goodfellas but with the bullets tucked up its sleeve, and Chastain delivers a turn that really ups the ante of her unsurmountable talents. Through the extraordinary woman the tabloids labelled as the ‘poker princess’, Sorkin has achieved the crowning glory of his cinematic career to date”.
It’s been five years since the release of director Steve McQueen’s slave trade epic 12 Years a Slave, and now he is back to explore racial divide again in heist thriller Widows. Co-written with Gone Girl author Gillian Flynn, the story is based on Lynda La Plante’s 1980s crime series but has been shipped from London to modern day America for this adaptation. When an armed robbery goes terribly wrong, Veronica (Viola Davis), Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki) are left with no spouses and a lot of problems. They’re indebted to corrupt politician Jamal Manning (Brian Tyree Henry), who is embroiled in a dirty campaign against mayor Jack Mulligan (Colin Farrell) to be alderman of a Chicago district. However, as Veronica lays her hands on her late husband’s notes for an upcoming job, she hatches an ambitious plan to settle the arrears.