EIFF22 · Interviews

It is in Us All Interview: Antonia Campbell-Hughes – ‘It was like a one-man-show, like theatre. It was extraordinary’.

I have been fascinated by the work of actor Cosmo Jarvis for the past few years, and always take a keen interest in what he’s working on and who he’s working with. His latest performance is in Irish drama It is in Us All where he plays Hamish, a Londoner who takes a trip to Donegal to visit a house left to him by his late aunt. On his way, he’s involved in a brutal car crash, which forces him to confront his past and leads to an unorthodox new friendship. I was very fortunate to sit down with writer and director Antonia Campbell-Hughes to chat about the film…

In the Q&A after last night’s screening, I found it very interesting that you described the film as sci-fi, as it does have an otherworldly quality to it. I saw it as a Western in the way in which Hamish arrives in a strange town at the beginning, and how people sort of know who he is but there’s still that air of mystery to his presence. I know you might not want your film to be defined by its genre, but can you speak a little on how you approached that…

I love what you just said about it feeling like a Western, because in the beginning, all the people he encounters are like the townsfolk. People asked whether or not I changed it for pandemic, but it was always written that way. There are these very individual encounters where people almost deliver a message, and I used to reference Deliverance in that sense because everyone he meets is slightly off. I think there is a world between the Western and science fiction elements. It’s not either, but it is ‘the weird and the eerie’, and those were films that I find curious and interesting.

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EIFF22 · Features

Top 5 Must-See Movies of Edinburgh Film Festival 2022

It’s been a long three years since we’ve had a proper film festival in the capital. After an online 2020 iteration and a clever hybrid version last year, EIFF is back in all its glory its 75th edition in 2022, albeit a little later in the calendar. Split into various strands including Heartbreakers, Night Moves, The Chamber, and Postcards from the Edge, the programme offers an eclectic mix of cinema that should have something to satisfy any film-goer. I’ve perused the brochure to pick out a selection that I have my eye on…

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