
After rejuvenating EIFF last year, the festival’s director Paul Ridd and producer Emma Boa are back with their sophomore effort. Critically acclaimed comedy drama Sorry, Baby is will open proceedings, kicking off an exciting and eclectic programme that boasts a variety of new releases, retrospective screenings, as well as the return of Midnight Madness; a strand that showcases six genre films to satisfy the night-owl cinephiles among us. I will be covering the events in my 11th year, and have handpicked five selections to keep an eye on…
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