Stephen King terrified readers with his iconic horror novel back in 1986, which was adapted into a cult television movie. Now the red carpet has been rolled out as it receives a fresh adaptation with director Andy Muschietti pulling the strings. The story has been brought forward to the late 1980s where the kids of Derry, Maine are confronted by their worst fears. Following the strange disappearance of Georgie (Jackson Robert Scott) at the hands of evil clown Pennywise (Bill Skårsgard), his big brother Billy (Jaeden Lieberher) rallies his friends together to hunt down the demon that has cursed their hometown.
Taylor Sheridan has already made quite an impact on cinema in recent years, penning the scripts for Sicario and Hell or High Water with acclaimed filmmakers at the helm. Now he has returned to the director’s chair for mystery drama Wind River which he has referred to as the last chapter in a loose trilogy about the modern American frontier. The story follows game tracker Cory Lambert (Jeremy Renner) who works at the Indian Reservation which gives the film its name. When the body of a teenage girl is discovered, FBI agent Jane Banner (Elizabeth Olsen) is called to the scene of the crime. The pair join forces and as the investigation unravels, Cory is forced to wrestle his own personal demons.
Steven Soderbergh announced his retirement from filmmaking back in 2003 to focus on oil painting but after already going back on his word to direct for television, now he makes his fully fledged feature comeback with comedy crime caper Logan Lucky. The madcap plot follows downtrodden construction worker Jimmy Logan (Channing Tatum) who, with the help of his one-handed brother Clyde (Adam Driver), hatches a plan to rob his former employers when he gets laid off. To assist with their cunning scheme to steal cash from a NASCAR speedway track on the day it’s biggest rally, they recruit incarcerated safecracker Joe Bang (Daniel Craig) and his idiotic brothers. What could possibly go wrong?
In Steven Soderbergh’s crime comedy caper Logan Lucky, Adam Driver delivers what could be his career-best performance to date as hapless one-armed barman Clyde Logan. His brilliant role has inspired a reflection on cinema bartenders who know their craft from their crap.
Passengers wasn’t a great film, but it did have a great bartender in Arthur, played by Michael Sheen. The android smooth operator serves up drinks to star-crossed lovers Jim and Aurora on luxury spaceship Avalon and injects welcomed humour into the script, albeit not always intentionally.
When the Gecko brothers played by George Clooney and Quentin Tarantino turn up at the Titty Twister rock bar, they are greeted by an intimidating leather-clad barman called Razor Charlie. Portrayed by Danny Trejo in a brief but memorable sequence, it soon transpires that all is not what it seems with the drinking-den clientele.
Sick Boy (T2)
Twenty years after the iconic original, Jonny Lee Miller reprised his excellent role as the entrepreneurial chancer Simon ‘Sick Boy’ Williamson. Now running the soulless Port Sunshine establishment, he sarcastically remarks that ‘the great wave of gentrification hasn’t hit us yet’.
When heavy drinking Henry Chinaski is a regular at the other side of your bar, it’s fair to say that you will have your work cut out. In steps Eddie played by Frank Stallone (Sly’s younger brother). When he’s not battling and bickering with Henry indoors as shown in the image above, they are out in the lot having a street fight.
Bob (The Drop)
Tom Hardy certainly isn’t known for having a subtle approach to acting, but goes against the grain with a nuanced performance is Boston-set crime drama The Drop. Running a bar used by local criminals as a drop-off point for ill-gotten goods, he gives a powerhouse turn that should go down as one of his best.
It’s not uncommon for filmmakers to reunite with actors they have worked with previously, which is exactly what writer and director David Lowery has done in reconnecting Rooney Mara with Casey Affleck on-screen. Their past collaboration was a Western romance, and the latest piece is something not only very different from that, but unlike anything you’ll see all year. Indie drama A Ghost Story follows lovers credited only as C (Affleck) and M (Mara) and their suburban married life. After tragedy strikes and C is killed in a car accident, he returns home as a white-sheeted ghostly presence to watch over his wife as she struggles to cope with the enormity of her loss.
Veteran filmmaker Luc Besson certainly has a vivid imagination, and is associated with French 1980s movement ‘Cinéma du look’ which is said to favour style over substance. His latest feature is sci-fi space opera Valerian and the City of a Thousand Planets and it’s arguably his most visually daring project to date. Based on a comic-strip series devised by Pierre Christin and Jean-Claude Mézières, the story follows operatives Major Valerian (Dane DeHaan) and Sergeant Laureline (Cara Delevingne) who are tasked with protecting the universe around 700 years in the future. When their peaceful city of Alpha comes under attack from a mysterious life form, they team up with commander Arün Filitt (Clive Owen) to neutralise the dangerous threat.
Visionary filmmaker Christopher Nolan has carved a career out of writing and directing imaginative movies, telling mind-bending tales in a way that only he can. His latest feature marks a departure of sorts as he turns his attention to World War II for action-drama Dunkirk, telling the story of the Operation Dynamo evacuation in 1940. As Allied soldiers including Tommy (Fionn Whitehead), Gibson (Aneurin Barnard) and Alex (Harry Styles) are trapped on the beach to await their fate from surrounding Nazi forces, fighter pilots Farrier (Tom Hardy) and Collins (Jack Lowden) provide cover from the skies. Meanwhile, mariner Mr Dawson (Mark Rylance) along with son Peter (Tom Glynn-Carney) and his friend George (Barry Keoghan) embark on a brave civilian rescue mission.