After six series of television, five festival specials, and two features, the curtain is drawn on the historical franchise with a third and final film. Written by Julian Fellowes who created the show, Downton Abbey: The Grand Finale is set in 1930 as the Crawleys prepare to embrace change with head of the table Robert (Hugh Bonneville) set to retire. Simon Curtis returns as director for a plot that centres around his eldest daughter Lady Mary Talbot (Michelle Dockery) as the scandalous news of her divorce spreads through their high-society. Meanwhile, Cora (Elizabeth McGovern) hosts her brother Harold (Paul Giamatti) and his friend Gus (Alessandro Nivola) who are visiting from across the pond, bringing news of financial hardship for the family.
With luscious set dressing, vibrant costuming, and a glamourous day at Ascot races, the style and tone of the piece is very much aligned with previous outings; beautiful swooping drone shots of the grand country estate accompanied by the iconic theme music of course comes as part of the familiar package. There’s little in the way of narrative conflict so the story plays more like an extended episode rather than a big-screen blowout. That being said, screenwriter Fellowes services his vast ensemble very well with a script packed full of low-stakes subplots to give most of his many characters the arc they deserve.
Thematically, the film explores the idea of passing the baton to the next generation. This comes through in the performances as Bonneville takes something of a backseat while Michelle Dockery’s Lady Mary emerges as the key protagonist. Her dalliance with newcomer Nivola provides playfulness in the opening act but it’s her well-observed scenes with sister Edith (Laura Carmichael) that carry more substance. In a time period dominated by patriarchal ruling, it’s refreshing to see the women of the family wield their societal power to great effect. Downstairs in the staff quarters, there’s a similar changing of the guard as Daisy (Sophie McShera) and husband Andy (Michael Fox) assume the positions of cook and butler respectively from veterans Mrs Patmore (Lesley Nicol) and Charlie (Jim Carter). McShera shines in particular, bringing excellent comedic timing as she continues the push the boundaries of the class divide.
Focusing on tender moments rather than high drama, Downton Abbey: The Grand Finale serves as a wholesome send-off to the beloved show with Simon Curtis’ graceful direction tying a neat bow for Julian Fellowes’ creation. The forward-facing nature of the storytelling gives hope for potential spin-offs with a wealth of rich avenues to venture down, but if it is to be farewell, then this cosy closing chapter should satisfy the series’ adoring fanbase.
Cinema Perspective 