Visual artist turned filmmaker Hlynur Pálmason has focused his directorial lens on a remote Icelandic town for his second feature A White, White Day. The drama centres around off-duty police chief Ingimundur (Ingvar Eggert Sigurðsson) who is struggling to cope with the loss of his wife to a horrific road accident. As a coping mechanism, he takes fishing trips with his granddaughter Salka (Ída Mekkín Hlynsdóttir), and spends his days renovating a house for his daughter’s family. By chance, he makes a discovery which leads him to believe that his wife had been having an affair, and before long, his suppressed grief and a simmering anger rise to the surface.
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British filmmaker Thomas Clay made an impression on the scene back in the noughties with two controversial films that had began to establish him as a rising star to pay attention to. After strangely going off the radar ever since, he’s returned to the director’s chair with period drama Fanny Lye Deliver’d. Set on an isolated Shropshire farm shortly after the English Civil War, the plot centres around the bleak lives of Fanny (Maxine Peake), her abusive husband John (Charles Dance) and their son Arthur. When young couple Thomas (Freddie Fox) and Rebecca (Tanya Reynolds) arrive unannounced to seek shelter in their barn one night, the Lye’s strict puritan lifestyle is challenge by radical new ideas.
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