Robert Budreau’s thriller has travelled the film festival circuit with the title Stockholm since its Tribeca debut last year but arrives in the UK under new guise The Captor. Loosely based on an article from The New Yorker in 1974 by Daniel Lang, it’s the retelling of the bank heist that caused the media to coin the phrase ‘Stockholm Syndrome’; the feelings of trust or affection in cases of kidnapping or hostage-taking by a victim towards a captor. Ethan Hawke stars as said captor Kaj Hansson who attempts an armed robbery, with Noomi Rapace taking the part of the victim Bianca Lind.Continue reading “DVD review: The Captor”
Filmmakers Ewa Banaszkiewicz and Mateusz Dymek come together to write and direct indie drama My Friend the Polish Girl. A film about a film, the narrative is told from the point-of-view of American documentarian Katie (Emma Friedman-Cohen) who focuses her lens on aspiring Polish actress Alicja (Aneta Piotrowska) for her latest work. Intended as a study of an immigrant living in a post-Brexit-vote Britain, the project soon takes a dark turn.Continue reading “DVD review: My Friend the Polish Girl”
Olivia Wilde enjoyed her breakthrough acting role in The OC back in 2004 and returns to the teen scene with Booksmart, her first film behind the camera. The plot centres around nerdy BFFs Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) on the cusp of high school graduation. Feeling as though it’s been all work and no play in their 12thgrade, they decide to attend the biggest party in the neighbourhood to see off their senior year in style.
The director and actor pairing of Dexter Fletcher and Taron Egerton soared on the slopes for their Eddie the Eagle underdog story back in 2015, and now they’ve reunited to reach for the stars in Elton John biopic Rocketman. After a troubled working-class upbringing, we see Reginald Dwight (Egerton) come of age when he meets songwriter Bernie (Jamie Bell) and they start making music together. When the duo head to Los Angeles to crack America, Elton’s head is turned by hotshot producer John Reid (Richard Madden), and his rock and roll lifestyle soon spirals out of control.
It’s the summer of 1994 in a West Lothian housing scheme, and Britain is on the cusp of the New Labour era. The scene is set for Beats, an indie drama directed by Brian Welsh. Based on Kieran Hurley’s award-winning play of the same name, the story follows best pals Johnno (Cristian Ortega) and Spanner (Lorn Macdonald) who share a love of acid house music. With the future of their friendship looking uncertain due to Johnno’s impending move out of town, they have a ‘fuck it’ moment and seek out an underground rave as a last hurrah.
Director Tom Harper and writer Nicole Taylor explore a working-class pipedream with music drama Wild Rose. The plot follows Glaswegian singer Rose-Lynn Harlan (Jessie Buckley) who, fresh out of jail, is yearning to become a Nashville country star. Her far-fetched pursuit sees her clash with her no-nonsense mother Marion (Julie Walters) as she neglects her two young kids in the process. However, when she gets a job as a ‘daily woman’ for middle-class housewife Susannah (Sophie Okonedo), an unexpected door of opportunity opens.
After graduating from the Judd Apatow school of stoner comedy, Jonah Hill has gone onto work under some of the biggest filmmakers in the business. Now he has transitioned behind the camera to write and direct coming-of-age drama Mid90s. Set across a summer in Los Angeles, the plot centres around thirteen-year-old Stevie (Sunny Suljic) who is taken in by a tightknit but troubled skater group as he struggles to find his place in cultural society.