Indie filmmaker Drew Denny’s latest feature is short crime thriller Momster, which stars Amanda Plummer (Pulp Fiction) and Brianna Hildebrand (Deadpool) as a mother and daughter on the wrong side of the law. I’ve been lucky enough to ask Denny about this project on the week of its premiere at Tribeca Film Festival…
Continue reading “Director interview: Drew Denny – ‘I hope to make bigger fiction films through the lens of a queer feminist perspective.’”
Director Tom Harper and writer Nicole Taylor explore a working-class pipedream with music drama Wild Rose. The plot follows Glaswegian singer Rose-Lynn Harlan (Jessie Buckley) who, fresh out of jail, is yearning to become a Nashville country star. Her far-fetched pursuit sees her clash with her no-nonsense mother Marion (Julie Walters) as she neglects her two young kids in the process. However, when she gets a job as a ‘daily woman’ for middle-class housewife Susannah (Sophie Okonedo), an unexpected door of opportunity opens.
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After graduating from the Judd Apatow school of stoner comedy, Jonah Hill has gone onto work under some of the biggest filmmakers in the business. Now he has transitioned behind the camera to write and direct coming-of-age drama Mid90s. Set across a summer in Los Angeles, the plot centres around thirteen-year-old Stevie (Sunny Suljic) who is taken in by a tightknit but troubled skater group as he struggles to find his place in cultural society.
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Comedian Jordan Peele turned filmmaker with his stellar social satire Get Out back in 2017, and he returns to the director’s chair for doppelgänger horror Us. As a child, Adelaide (Lupita Nyong’o) has a traumatic experience in a hall of mirrors after wandering away from her parents at Santa Cruz beach. Years later, she revisits the boardwalk with her husband Gabe (Winston Duke) and their two kids. The fun family vacation soon descends into terror when their beachhouse is invaded by unwelcome guests.
Continue reading “Film review: Us”