Visionary filmmaker Christopher Nolan has carved a career out of writing and directing imaginative movies, telling mind-bending tales in a way that only he can. His latest feature marks a departure of sorts as he turns his attention to World War II for action-drama Dunkirk, telling the story of the Operation Dynamo evacuation in 1940. As Allied soldiers including Tommy (Fionn Whitehead), Gibson (Aneurin Barnard) and Alex (Harry Styles) are trapped on the beach to await their fate from surrounding Nazi forces, fighter pilots Farrier (Tom Hardy) and Collins (Jack Lowden) provide cover from the skies. Meanwhile, mariner Mr Dawson (Mark Rylance) along with son Peter (Tom Glynn-Carney) and his friend George (Barry Keoghan) embark on a brave civilian rescue mission.
The modern Apes trilogy has spanned six years and following the Rise and Dawn comes War for the Planet of the Apes, the third and final instalment directed and co-written by Matt Reeves. The story is picked up as leader of the apes Caesar (Andy Serkis) is hiding out in the woods with his wife Cornelia (Judy Greer), his wise orangutan adviser Maurice (Karin Konoval) and the rest of his tribe. After coming under an unprovoked attack, he offers a truce to the merciless Colonel (Woody Harrelson), a soldier that vows to wipe out the apes once and for all. However, when the call for peace is not reciprocated, a brutal battle for survival ensues.
Hip hop can often be thought of as an autobiographical artform, with rappers telling snippets of their life stories through their songs. In recent years, many of them have had their accounts immortalised on-screen and with crime biopic All Eyez on Me, director Benny Boom is giving the cinematic treatment to Tupac Shakur, perhaps the most controversial rap artist of them all. The plot retells his do-rags to riches tale from his turbulent childhood through to his infamous East Coast-West Coast rivalry with friend turned foe Notorious B.I.G.
British writer and director Edgar Wright burst onto the cinema scene after the success of a celebrated sitcom at the turn of the millennium, and he hasn’t looked back since, now making movies across the Atlantic stamped with his signature style. His latest feature is crime caper Baby Driver and it’s probably his biggest production to date. The plot centres around title character Baby (Ansel Elgort) who works as a getaway driver for Doc (Kevin Spacey), a cunning heist mastermind with a penchant for violence. At a local diner, he kindles a romance with waitress Debora (Lily James), and the pair plan to set off on a road trip together; that is of course, after he carries out one last job for his kingpin boss.
Stephen Patrick Morrissey broke into the Manchester music scene in the 1980s and through his time as the frontman of seminal band The Smiths as well as a lengthy solo career, he has grown to become an icon of British indie culture. Director Mark Gill brings a portion of his story to the big screen with coming-of-age drama England is Mine, which sees rising star Jack Lowden play a young Morrissey as he struggles to find his creative voice. After succumbing to the 9-to-5 rat race to work at the Inland Revenue, he meets local artist Linder Sterling (Jessica Brown Findlay) at a gig and becomes inspired to follow his passion.
Comedy is arguably the most subjective of all the film genres and can be tricky to get right at the best of times. Mix that with horror and it is even more of a challenge, which is exactly what filmmaker Benjamin Barfoot has embarked upon with his directorial debut Double Date. The plot follows hapless sap Jim (Danny Morgan) who, with the assistance of cocky pal Alex (Michael Socha) as his loyal wingman, hopes to lose his virginity before his 30th birthday. Their path crosses with sisters Kitty (Kelly Wenham) and Lulu (Georgia Groome), who have a dark ulterior motive.